Billy Lynn's Long Halftime Walk is beautiful, exquisite irony

From The Week of August 19th, 2013

What is a hero? The people admire them, our cultures celebrate them and our literature elevates them to immortality. So it is safe to say that we know a hero when we see one. But if pressed to define the criteria for becoming one, we might offer up very different answers. Some of us might value the unsung heroes who toil quietly at thankless jobs that ensure our safety on a daily basis. Others, meanwhile, might emphasize self-sacrifice, believing that a hero is only a hero if we know of, and are inspired by, his or her actions.

But as difficult as it might be to define a hero, it is even harder to unknot the complex relationship between heroes and the societies that harbor them. For while society hails them, upholds them as objects of valor and achievement, it also devours them, reducing them from human beings, with flaws and tempers, to useful paragons that further society's ends. This is no way to treat anyone, let alone those for whom we have the deepest respect. This Ben Fountain captures in his outstanding novel.

For the men of Bravo Squad, they were just doing their jobs, doing what they were trained to do. But for everyone back in America, the ambush at the Al-Ansakar Canal is a defining moment of the Iraq War. Captured on film and replayed for all to see, this four-minute-long engagement, in which Bravo Squad risks their lives to rescue a convoy trapped by insurgents, is a re-affirmation of what they already know, that American soldiers are the bravest and best the world has to offer. And so, it seems only fitting that the survivors of the ambush, while being patched up, and while grieving for the men they've lost, be flown back to America for a thank-you tour, a whirlwind, whistle-stop affair that sees them shaking hands and smiling for photographs in a dozen major US cities before concluding at that most enduring of American rituals, an NFL game at Texas Stadium where they will be honored at Halftime.

For Billy Lynn, the star of the footage which caught him trying to save the life of his dying friend while continuing to kill the enemy, this is a completely disconcerting experience. A 19-year-old boy from a small, Texas oiltown, he is utterly unprepared to be the center of anyone's attention.. And now there are 70,000 people who want to congratulate him, to tell him what they think about the war, and hail him as the bravest of the brave. He must interact with the rich and the poor, the kind and the venomous, all without doing dishonor to the army that has put him here. Over these few hours, he has to be what America needs him to be, but can he be that when he doesn't even know himself? Cheerleaders and millionaires, footballers and fans and at the end of it a war he must go back to, a war that might never end...

As winningly poignant as it is sharply satirical, Billy Lynn's Long Halftime Walk is fiction at its best. Juxtaposing the small lives of the men of Bravo squad against the enormity of the spectacle of an NFL game, Mr. Fountain beautifully captures America's tortured relationship with its heroes, with its superficiality and with its founding mythology. For this is a country built on the idea of freedom, constructed to be welcoming to all those who wish to escape tyranny, that is, nonetheless, engaging in two savage and costly wars that have claimed the lives of hundreds of thousands of people. Rather than deal directly with such a difficult truth, however, the people wrap themselves in the sanctity of their flag, focusing on the deeds of heroic men in order to avoid looking at the price they are all paying in a place that few of them could even find on a map. Never in history have so few been asked to bear the weight of so much for so many and this cultural, economic and experiential divide could not be better represented than it is here.

Beyond its potent cultural critiques, Billy Lynn's Long Halftime Walk is a wonderful and warm character piece. From its young, virginal protagonist, Lynn, to his friend, Mango, his sergeant, Dime, and the film producer, Albert, who is trying to make their story into a movie, the actors here are complicated, rich and deeply entertaining. Mr. Fountain embraces their flaws, depicting them as young men who both love and hate war, who appreciate and scorn their treatment subsequent to the ambush, and who accept and yet cannot abide the empty platitudes of the rich, entitled men who want to be seen to be doting on them. For all their warrior prowess, these are clearly vulnerable men who would benefit far more from a few days respite than the overstimulated chaos of an NFL spectacular. And this brings us to the author's most trenchant observation.

The culture does not feat heroes for their benefit. They feat them to assuage their own guilt about what the heroes have been forced to do. The culture doesn't care about these boys. If it did, they would ask them what they wanted. They would help them with their care, with their futures. Instead of this substantial and meaningful aid, the heroes get fifteen minutes of unwanted fame while being jerked around by titans of industry with whom they have nothing in common and who seek to only use their momentary celebrity to polish their own egos. It is a display of such profound self-indulgence that would descend to the level of disgusting if it weren't so painfully predictable.

Mr. Fountain has a nimble pen, a sharp eye for cultural critique and a strong sense of injustice and irony, all of which he uses to wonderful effect in one of the best reads in years. (5/5 Stars)

A difficult and disgusting descent into the mind of an American Psycho

From The Week of August 19th, 2013

Superficiality is a dangerous and pernicious force. For in deadening our spirits, draining meaning from our dreams, and attenuating our connections to the world, it robs us of the capacity to have both genuine emotions and authentic relationships. It allows us to skim along the surface of existence without ever plunging down into life's depths, the dark, challenging undercurrents where truth abides. This is reason enough to avoid it, and yet, this is nothing next to the damage superficiality does to cultures, to civilizations, infecting them with a kind of euthanizing, materialistic hunger that cannot be easily uprooted. For once superficiality has been embraced, the humiliation inherent in rejecting it, in being forced to acknowledged that it was, even for a short while, accepted practice, is too much for most to bear. This is the lesson taken to remarkably disturbing heights in Brett Easton Ellis' notorious classic.

It is the dying days of the 1980s and New York city is a cesspool, a collection of alleys spewing trash, of streets clogged with the homeless, and of clubs laden with narcotics. Crime, fuelled by the rise of Crack Cocaine, is rampant, a cancer that eats away at the soul of one of the world's foremost metropolises. And yet, for all of their destructive power, these are but venial sins when set against the awesome greed of Wall Street, an assemblage of banks and trading firms who, gripped by the feverish desire for wealth and power, strain mightily against the ever-weakening legislative chains that bind them.

Through this modern morass glides Patrick Bateman, a cog in this Wall-Street machine who notices brands, not people; who thirsts for gratification, not enlightenment; and who values besting his fellows, not uplifting them. A conglomeration of glitz and glamour, he absorbs this toxic environment and uses it to fuel his own psychosis which expresses itself through bouts of misogyny and misanthropy so violent and depraved that no one believes it of him even when he confesses it. This is his world, a creature of its creation and an aspect of its evolution. He cannot be put down.

A vicious and difficult novel, American Psycho is an adventure in filth. Characterized by orgiastic episodes of abject cruelty, it is an exercise in shock, with large swaths of the work surrendered to the unchained lusts of the greedy, insecure id. Pornography and murder are the primary forms of this authenticity of the foul, coming together to create such a potent mixture of ugliness that, even 20 years on from its original publishing, in a culture far more accustomed to such degradations, sexual and otherwise, it has lost none of its overwhelming force. It is not at all hard to imagine why the novel was released to such widespread outcry.

However, dismissing it as nothing more than the wet dreams of sadists would be a mistake. For this is not just atavism run amok; it is a commentary on the height of American materialism. It is a characterization of life at the heart of American Gomorrah and the existential price its occupants pay. Patrick Bateman is inescapably wicked, and yet, he is by no means alone. He is merely a more virulent strain of a virus that ravaged this place, at this time, an adherence to superficialities at the utter expense of the real that severed the bonds of mutual decency and submerged its victims into desiccated lives, sucked dry of all meaning. This is powerfully manifested in the work's obsessive attention to commercial details, brands, songs, the price of luxury goods, all of which help these victims of a decaying culture to deny their own emptiness.

But while American Psycho has value, its length is indulgent. Mr. Ellis could have made the same, provocative point with a book half its length. Not only would such a slimmed-down version have increased the sharpness of its satire, it would have shortcircuited the suspicions of even open-minded readers that this was an exercise of endurance, a challenge to see precisely which moment of wickedness finally succeeded in alienating its consumer. Instead, we have a 400-page celebration of depravity whose repetition dilutes its objective and leaves the reader wanting a shower and the comfort of good friends.

This is emotive work. Patrick Bateman will likely go down in history as one of the most despicable characters to ever be realized in literature. And at least in this, Mr. Ellis and his stylized distillation of a dark moment in American history won't soon be forgotten. However, being remembered is not the same as being valued. (2/5 Stars)

Dark fantasy done with militarism and style in The Thousand Names

From The Week of August 12th, 2013

As much as we celebrate the rebels and counter-culturalists, the protesters and conscientious objectors, society runs on rules. After all, at root, society is a common code of conduct to which we all agree in order to receive the benefits of civilization. If there is no conformity to these codes, then there is no universal fabric into which to weave the threads of our lives. And yet, this rule-based system throws up its fair share of problems, chiefly, that it empowers those tasked with enforcing the rules. And given that we cannot guarantee their earnestness, their steadfastness, or their honesty, we often find ourselves lead, judged and moderated by powerful narcissists who happily march us into chaos so long as it suits their ends. Such truths, along with their consequences, are demonstrated to wonderful effect in the opening volume of Django Wexler's dark, militaristic series.

In a world of empires and churches, deserts and gods, war and rebellion is in the process of harshly re-shaping the known lands. Decadent princes have been violently swept from power by the nihilistic Redeemers, a faith that has little time or patience for existing orders and their foolish rules. This upheaval has ripped the vordinai empire apart, not only laying open its once-peaceful towns to all of war's terrible crimes, but forcing its loyal soldiers to fight battles on two fronts: to restore the proper order and to control and supply their men who might no longer have a ruler to fight for.

Into this heady time come two consequential soldiers. Marcus d'Ivoire is the personification of duty, a captain who cares for his men more than he does for the letters of the land's laws. He had resigned himself to career oblivion, but then fate intervened and made him the immediate subordinate to a revolutionary Colonel who promises to change the campaign's fortunes. Winter Ihernglass, meanwhile, is everything but a conventional soldier. A woman masquerading as a man, she has, through good fortune and even better soldiering, elevated herself into the ranks of the decision makers and, with this terrible secret hanging over her head, leads them with a kind of graceless bravery. Together and separately, Marcus and Winter must assemble the pieces to this strange, religious puzzle and act upon this troubling picture before the future is lost to the darkness of demons.

Though at times overly fixated on martial maneuverings, The Thousand Names is excellent fantasy fiction. Mr. Wexler treads here on some of the same ground trailblazed to such epic effect by Steven Erikson's Malazan Book of The Fallen. However, rather than stoop to copying the fine works of other masters, he has re-organized these existing themes into an entirely new and pleasing configuration, one that successfully challenges the entrenched expectations of readers of fantasy. Given how many thousands of volumes have been published in this genre, this is no mean feat. And yet, the author succeeds in welding mysterious faiths, dangerous enemies, uncertain alliances and unexpected fates upon a familiar framework, the end result of which is bound to please most of those who take it up.

While many authors of fantasy reach for the familiar-unto-hackneyed settings and time periods of sword and sorcery, Mr. Wexler wanders off in search of newer, richer ground. The world of The Thousand Names owes much more to Western Europe's 17th century than it does to its 15th. Here, the musket has made extinct flashy knights and their obsolete charges, replacing them with military tactics more appropriate to the American Civil War than to the Battle of Agincourt. Moreover, the Vordinai empire's social policy seems to track with the tastes and the biases of Georgian and Victorian England, where inequities in class, income and opportunity were so apparent and extensive that reform was inevitable. Add to this the spicy language of Martin and Abercrombie, the Genderbending of Morgan and Kritzer, and the result is a dark work of emotive fiction.

For all its virtues, The Thousand Names suffers from two primary structural flaws. While Winter Ihernglass's story is arresting in its freshness and its informativeness, Marcus d'Ivoire is, by comparison, a lifeless lump. It is not so much that the man is a caricature of virtue, though, this does make up some of the equation. Rather, it becomes clear, early on, that he exists only to allow the reader physical and plot proximity to one of the work's primary antagonists without actually adopting the antagonist's point of view. Mr. Wexler is not the first to deploy this tactic. And yet, he does so with a clumsiness that fails to inject Marcus with any kind of vitality. Less troubling to the narrative but more bemusing to this reviewer is the preponderance of military maneuverings that consume the first half of the chronicle. Yes, the detail here demonstrates extensive research and knowledge on the part of the author, but after the first few scenarios in which the story's prime movers exhibit their bravery and skill, these set pieces lose their meaning and become more theatrical than useful.

Notwithstanding its flaws, however, this is an excellent and weighty read, one that takes some calculated chances in order to say something new in an old genre. Deeply engaging... (4/5 Stars).

The genius and the curse of Walmart winningly captured in The Walmart Effect

From The Week of August 12th, 2013

Of all the traits humans share with their fellow organisms, a desire for a efficiency must be considered the most pervasive and consequential. For though it does not rise to the surface of our everyday thoughts, in governing everything from the way we walk to the manner in which we approach daily tasks, it shapes our every action. This is not altruism, nor is it a conscious effort to leave as little a footprint in our wake as possible. It is an outgrowth of the harsh discipline evolution has stamped upon our genes. For when energy is scarce, as it has been for most of our genetic history, what little is available must be preserved at all costs in order to improve the odds of survival. Unlike every other creature on Earth, however, humans have freed themselves of the chains of that limited energy environment and exploded into a world where the desire for efficiency can have a global impact. And it is difficult to imagine their being any organization to better represent both the glories and the tragedies of this truth than Walmart. Charles Fishman explains.

Launched with humility and little fanfare in 1962, Walmart has become, in the decades since, a retail phenomenon that has swept the globe. Sporting a workforce of 1.6 million associates, enough to populate a small country, and amassing sales that make it larger than much of its competition combined, it has deployed the singular vision of its founder to create a retail empire unrivaled in human history. Eschewing flashy sales and headline-grabbing headquarters that so often tempt its competitors into profligacy, its philosophy is shockingly simple; sell for the lowest price possible. Then, next year, find a way to sell for even less. And continue until every possible inefficiency has been wrung out of the retail system. This not only fosters trust in customers who don't have to worry about waiting for half-off sales to purchase their goods, it drives their suppliers to streamline their practices until every non-essential element has been eliminated from their business.

This thirst for the lowest price has had a transformative impact upon the retail chain, allowing customers to purchase goods at prices that, adjusted for inflation, are a fraction of what they once were. However, it has also placed many of Walmart's suppliers in an impossible position. For there are only so many inefficiencies to eliminate. Once they are gone, Walmart's relentless drive presents them with one of two unpleasant options: lower the quality of their goods in order to save money, or lowering their prices and eliminating their profit margins which exposes them to the risk of being hurled into bankruptcy at the next bump in the economic road. Their only other choice is to remove their goods from Walmart's stores which, given Walmart's reach, would be tantamount to business suicide. This is the new reality and one entirely created by a company that did not exist fifty years ago.

The Walmart Effect is a revelatory examination of a remarkable company. Mr. Fishman, adopting a frank and conversational tone, walks the reader through not only Walmart's history, but the philosophy that has made it one of the first organizations to master the commercial opportunities of the global economy. From the humble wisdom of its founder to the everyday realities of its suppliers, the author discusses in glowing terms the delightful ways in which Walmart's single-minded devotion to the lowest price has improved the practices of countless companies, passing these savings onto the customer. We're invited to revel in the simple brilliance of a company that understands the basic human desire to get the best deal and not to be made to feel the fool, desires that Walmart has woven into the very fabric of their business.

However complimentary, The Walmart Effect in no way shrinks away from the company's dark side. Walmart's zealous pursuit of the lowest price has not only driven many of its suppliers out of business, it has forced many others to eliminate their unaffordable American workers and export their manufacturing needs to Asia where a toxic mixture of poverty and unenforced labor laws have created a fouls stew in which millions of desperate people are forced to toil for pennies. Walmart, like many other American retailers, makes all the appropriate noises about ensuring that it sources goods only from reputable suppliers, but these lame assurances ring utterly hollow, especially when one considers that Walmart would have to violate the core tenet of its belief system to avoid using virtually indentured workers. It would have to raise prices.

For all its virtues, The Walmart Effect, feels terribly dated. The degree to which it exposes Walmart's unforgivable insensitivity to the plight of those affected by its drive for efficiency is still relevant, but Mr. Fishman published his work in late 2005, before the rise of Amazon.com which, though still not as massive as Walmart, threatens the Arkansas giant's entire business model by offering the customer an opportunity to get the lowest price without even leaving his couch. Walmart's inability to combat amazon.com with a comparable online presence suggests that amazon will eventually consume Walmart once it can guarantee same-day delivery of its innumerable products. This is a consequential chapter of this story that Mr. Fishman did not foresee in 2005.

Nonetheless, this is a fascinating read. Walmart has undoubtedly done the customer a great service in making all manner of products more affordable, but in doing so it has helped to create a monstrous system of exploitation that cannot be ignored. Engaging work... (3/5 Stars)

A searing, riveting portrait of the Mexican Drug War in El Narco

From The Week of August 5th, 2013

Nations have narratives, a collection of facts and theories, stories and biases, that coalesce, over decades, into a fundamental mythology that is programmed into most, if not all, of its citizens. For successful nations, this is a largely positive outcome, primarily because it re-enforces those ennobled traits that have purportedly empowered them to the top of the heap. Yes, this comes at the expense of absolute truth, but this is a relatively small price to pay for having such a high bar set for subsequent generations. However, for nations who haven't enjoyed such success, this same mechanism re-enforces a sense of chaos and failure, a toxic stew that embitters all but the most pure of heart.

All of this belief is predicated on the notion that these mythologies are accurate, that they have tangible meaning for those alive today, but what if they don't? What if the fates of nations are determined less by the individual actions of those involved, but by a combination of environmental and circumstantial factors now centuries in the past? For failing states, such a train would be hard to turn around, especially in our modern world in which results are expected to be immediate. And yet, what else is there but to try? Ioan Grillo, here, documents just such an attempt.

For generations, Mexico has been a nation teetering on the brink of catastrophe. For much of its history, these crises were political in nature, as powerful men drew upon the destructiveness of armies to exert their will upon a country troubled by the noxious legacy of Spanish conquest. More recently, though, particularly as Mexico has made the slow, stuttering transition to democracy, these existential challenges have shifted into the much more complicated arenas of economics and social policy which possess contradictions and dilemmas that not even successful nations have ironed out. Unstable currencies, corrupted police forces and concentrated wealth have all taken their toll. And yet, combined, it is difficult to imagine them causing as much damage as Mexico's position on illegal drugs.

Unwisely taking its cue from the United States, Mexico has attempted to prohibit the sale of marijuana and narcotics in its country. But unlike the US, where stable judiciaries and largely honorable police forces keep the trade largely confined to ghettos and dark street corners, Mexico has been overwhelmed on three fronts: by a warmer climate agreeable to plantation of such crops, by widespread poverty that guarantees a steady supply of desperate souls who turn their hands to cultivating them, and by its proximity to South-American nations from which these drugs can profitably flow north and into the United States. Together, this mixed bag of incentives and misfortune has plunged Mexico into a war with a powerful group of highly trained, borderline psychotic, and profoundly motivated insurgents who will stop at nothing, not even butchery, to maintain their hold over an unfathomably profitable trade.

In El Narco, Mr. Grillo investigates these cartels. And by interviewing both its members and its victims, he creates a deeply moving portrait of Mexican life that has been transformed by thirty years of growing strife and deepening social divisions that are ripping the country apart. Seeing before them the most enticing of dangling carrots, the cartels have seized upon a means of acquiring wealth and power that is as old as civilization. And yet, through his narration of the unimaginable cruelty and depravity of their crimes, the author convinces us that the Mexican cartels are newer, more nightmarish beasts that have been nourished not only by Mexico's troubled present, but by its turbulent past in which infighting and discord prevented it from joining the United States in the league of thriving nations.

But while the cartels understandably occupy the core of this work, El Narco's most revelatory and wrenching passages are reserved for those who have had their lives shattered by them. From families forced to participate because of the sheer, dumb randomness of living in the wrong part of Mexico, to innocents who have been caught up and gunned down in the crossfire between the cartels and the Mexican army, and even to the men and women who have been raped and killed as a result of this terrible war, El Narco is a shattering demonstration of the randomness of life, of its preciousness, and of how quickly it can be snatched away. Granted, most of us do not need reminders of the fitfulness of the spark of life, and yet, it is something entirely else to see the blood and the pain spilled out over these 320 pages, to comprehend the twin cancers of grief and nihilism that grow from it. Their stories are impossible to turn away from.

There are no policy positions here. Mr. Grillo certainly seems sympathetic to those who argue for legalization, but how could he not? For while, to us, this may be an academic debate, albeit one steeped in bias and political ideology, prohibition is, for him, a remedy for a bloodbath. Legalization would undoubtedly de-fund the cartels to an extraordinary degree. And that the US has pressured Mexico not to do this out of its own cowardly self-interest, and that Mexico has itself not summoned the courage to do it on its own, is nothing less than a crime against humanity, an unwillingness to acknowledge the terrible cost of preventing people from doing as they choose so long as they do not harm anyone else in the doing. Other than this, though, Mr. Grillo chooses not to editorialize on guns, politics, or culture which, though consequential, seem almost shallow compared to the human stories that fill these pages.

Searing and mesmerizing... An absolute must-read... (5/5 Stars)

A vivid but disappointing sea-stained journey in Jamrach's Menagerie

As much as life would appear to be a series of experiences chained together by familiar environments and occurrences, friends and attitudes, it is, at root, the gestalt of billions of choices that are as unquantifiable as they are immeasurable. Most of these decision points are numbingly mundane, having long since fallen into the rhythm of automatic reflex. And yet, others are so consequential, so profound, that they leave one's existence unfathomably altered. This can be for good or ill, but it is most certainly one of the two, a reality that gives extra significance to hindsight and regret. If nothing else, Carol Birch's novel demonstrates this in engaging detail.

Born in the east end of Victorian London, little Jaffy Brown was facing a grim future. The son of a working-poor mother and a father in the wind, he was a prime target to become a statistic, another victim of the merciless, Dickensien England of the 19th century. But then, when he was but eight years old, an encounter with a tiger that had escaped from the cages of Charles jamrach, famed naturalist, transformed his mundane existence into one of adventure and opportunity. For being exposed to jamrach's animals not only landed him a new friend, Tim, and a girl to love, Tim's sister, it opened up his world to the possibilities of science and the sea, the latter of which he wholeheartedly embraced.

Added to a crew hired to fetch a fabled dragon from Asian shores, Jaffy and Tim, now teenagers, set out on a grand adventure, imagining that they'll return home if not heroes then certainly in the good graces of their employer, Jamrach. But when a series of calamities strikes the expedition, they are compelled to re-evaluate not only their choices and their friendships, but their ethics and their futures. For fate and fortune have turned against them and all that's left is the desperate need to survive.

A vivid, sea-stained yarn of endurance and fortitude in the face of catastrophe, Jamrach's Menagerie is a rocky, uneven experience. Ms. Birch is an accomplished storyteller who demonstrates as much skill capturing the joys and the hardships of the sea as she does in crafting the voices of her characters who remain pleasingly human in the face of extraordinary circumstances. But while her tale is buoyed by these virtues, along with moments of explosive beauty and violence, it is profoundly weighed down by long stretches of listless inactivity that left this reader feeling suffocated and repulsed.

Jamrach's Menagerie sports some unforgettable moments. Several encounters with legendary creatures of the sea are taut with tension, the reader forced to look helplessly on as Jaffy, the narrator, is overwhelmed by situations he could've never practiced for, much less appreciated the gravity of. These incidents are heart-wrenching, not just because they imperil our protagonists, but because they memorably capture the unimaginable violence inherent in whaling, a practice that would have driven the species to extinction had humanity not found, and properly exploited, other sources of oil.

And yet, as much as one is floored by these riveting passages, they are far and few between, brilliant spots of brightness amidst an otherwise featureless sea of suffering and degradation. Which leads us to the novel's gravest flaw. For other than casting the practice of whaling in a more violent light, Ms. Birch makes not a single, novel contribution to the genre in whose waters her novel wades. Dozens of classics on this very salty subject have been penned, works that seek to so grievously test the wills of their actors that normal, for them, becomes a distant and unachievable memory. And while that should not in any way preclude Ms. Birch from writing her own account, it does compel her to advance the genre in some way, to bring something new to the sea-voyage maptable. She has sadly failed to do so.

A disappointment. For a work long-listed for several awards, I expected far more. But unoriginality and lethargy doomed the work beyond repair. (2/5 Stars)

As much as life would appear to be a series of experiences chained together by familiar environments and occurrences, friends and attitudes, it is, at root, the gestalt of billions of choices that are as unquantifiable as they are immeasurable. Most of these decision points are numbingly mundane, having long since fallen into the rhythm of automatic reflex. And yet, others are so consequential, so profound, that they leave one's existence unfathomably altered. This can be for good or ill, but it is most certainly one of the two, a reality that gives extra significance to hindsight and regret. If nothing else, Carol Birch's novel demonstrates this in engaging detail.

Born in the east end of Victorian London, little Jaffy Brown was facing a grim future. The son of a working-poor mother and a father in the wind, he was a prime target to become a statistic, another victim of the merciless, Dickensien England of the 19th century. But then, when he was but eight years old, an encounter with a tiger that had escaped from the cages of Charles jamrach, famed naturalist, transformed his mundane existence into one of adventure and opportunity. For being exposed to jamrach's animals not only landed him a new friend, Tim, and a girl to love, Tim's sister, it opened up his world to the possibilities of science and the sea, the latter of which he wholeheartedly embraced.

Added to a crew hired to fetch a fabled dragon from Asian shores, Jaffy and Tim, now teenagers, set out on a grand adventure, imagining that they'll return home if not heroes then certainly in the good graces of their employer, Jamrach. But when a series of calamities strikes the expedition, they are compelled to re-evaluate not only their choices and their friendships, but their ethics and their futures. For fate and fortune have turned against them and all that's left is the desperate need to survive.

A vivid, sea-stained yarn of endurance and fortitude in the face of catastrophe, Jamrach's Menagerie is a rocky, uneven experience. Ms. Birch is an accomplished storyteller who demonstrates as much skill capturing the joys and the hardships of the sea as she does in crafting the voices of her characters who remain pleasingly human in the face of extraordinary circumstances. But while her tale is buoyed by these virtues, along with moments of explosive beauty and violence, it is profoundly weighed down by long stretches of listless inactivity that left this reader feeling suffocated and repulsed.

Jamrach's Menagerie sports some unforgettable moments. Several encounters with legendary creatures of the sea are taut with tension, the reader forced to look helplessly on as Jaffy, the narrator, is overwhelmed by situations he could've never practiced for, much less appreciated the gravity of. These incidents are heart-wrenching, not just because they imperil our protagonists, but because they memorably capture the unimaginable violence inherent in whaling, a practice that would have driven the species to extinction had humanity not found, and properly exploited, other sources of oil.

And yet, as much as one is floored by these riveting passages, they are far and few between, brilliant spots of brightness amidst an otherwise featureless sea of suffering and degradation. Which leads us to the novel's gravest flaw. For other than casting the practice of whaling in a more violent light, Ms. Birch makes not a single, novel contribution to the genre in whose waters her novel wades. Dozens of classics on this very salty subject have been penned, works that seek to so grievously test the wills of their actors that normal, for them, becomes a distant and unachievable memory. And while that should not in any way preclude Ms. Birch from writing her own account, it does compel her to advance the genre in some way, to bring something new to the sea-voyage maptable. She has sadly failed to do so.

A disappointment. For a work long-listed for several awards, I expected far more. But unoriginality and lethargy doomed the work beyond repair. (2/5 Stars)

The fusion of marketing, the Internet and SciFi in Pattern Recognition

From The Week of July 29th, 2013

As much as we would like to claim that capitalism rests on high-minded ideals of freedom and free markets, it is, inescapably, a system designed to encourage people to buy stuff. For it is only through this base consumerism that businesses can be profitable. Profitable businesses hire more employees which results in more people with employment. And what do employed people have? Money that they can spend on more products. This, capitalists argue, is a virtuous cycle, a means by which to iterate and innovate humanity towards a better, brighter future, but how can we know that it is not just a single, enormous pyramid scheme designed to line the pockets of the privileged few while everyone else is sold, through advertising, a vision of progress that most of them will never actually benefit from? Perhaps we can't know this for certain, but this first in William Gibson's contemporary works of science fiction will surely offer some cause to be cynical.

It is the summer of 2002 and the world is still recovering from the aftershocks of 9/11, an event which particularly haunts Cayce Pollard, a 32-year-old advertising consultant who lost her father on the same day, and in the same city, as the World Trade Center attack. Possessing both an affinity for the cultural effectiveness of trademarks and a peculiarly allergic aversion to brand logos potent enough to drive her to completely eliminate branding from her wardrobe, she is an invaluable asset to corporations looking to capture the zeitgeist of consumers and ride that wave to unimaginable riches.

This insight into the nature and value of semiotics, however, is a double-edged sword for Cayce. For while it has provided her with a skill that is as rare as it is prized, it has also driven her to seek patterns in everyday life in a manner similar to paranoid schizophrenics. This obsession comes to a head when Cayce finds herself mesmerized by snippets of mysterious footage leaked onto the Internet, the origins of which she must find. With the encouragement and aid from her friends in an online forum, she journeys to Tokyo, London and Moscow in an attempt to untangle a knot she cannot resist. For it in it lies truths about herself and her father that she must know.

A departure from the cyberpunk dystopia that made Mr. Gibson famous, Pattern Recognition is a headlong plunge into the vagaries of modern marketing that represents the culmination of the author's peculiar ideas about the zeitgeist begun in The Bridge Trilogy. Mr. Gibson's unusual insights into the manner in which some people process information were best represented by that trilogy's protagonist, Colin Laney, a man modified by a cocktail of drugs to find patterns in oceans of data. Cayce is, in a literary sense, the origin of that story, a creature who manifests an earlier, and considerably less potent, strain of that particular talent and uses it to locate and unknot significant events of the moment. Few people have explored this avenue of thought. Even so, it is difficult to imagine anyone doing it more justice than the author has here with his unique blend of weirdness, grace and cool.

More broadly, Pattern Recognition is, in spite of its protagonist's aversions, transfixed by brands. Scarcely a paragraph goes by in which a product name is not referenced. Moreover, Mr. Gibson drives home the degree to which brand names have become synonymous with their products by only referring to them as brands, iBooks, not computers. This creates a delightful reading experience, but more than that it invites the reader to contemplate marketing's power which only promises to grow as people and algorithms get better at understanding our eccentric tastes.

Amusingly, this fixation conjures up Pattern Recognition's most charming feature, the degree to which it is rooted in the now quaint technologies and rhythms of the early aughts. Cayce uses Netscape instead of Chrome, newsgroups instead of social media, laptops instead of smartphones. Indeed, written five years before the first iPhone, the mobile economy and the extent to which it has completely altered the information-sharing landscape is not present here in any way. Had this book been written merely three years later, we can well imagine Cayce having found her mysterious footage on youtube which almost seems designed for the express purpose of feeding Mr. Gibson's information obsessives.

This is by no means a perfect work. The plot is weak unto non-existent. The author makes some attempt to connect Cayce's journey to something that resembles action and drama, but this has mixed results at best. No, this is a novel almost entirely about the merits and flaws of men and women who, for reasons both internal and external, are compelled to live outside the box. In this, it engages our every sense. But if such speculative musings fail to capture the reader's interest, there's almost nothing else here.

Charming, fascinating, and sobering work... (3/5 Stars)

Petraeus, Counterinsurgency and the new US military in The Insurgents

From The Week of July 29th, 2013

There is no activity with which humanity has more familiarity than war. From the earliest tribes to present-day superpowers, it has been practiced so ubiquitously that it has defined the destinies of virtually every culture we've ever created. And yet, for all this expertise, we are, by and large, miserable, shortsighted wielders of the discipline, profoundly trapped by our biases of the enemy, an overinflated sense of our own martial past, and a rigid adherence to structure and tradition that eschews the bold in favor of the safe. Perhaps, in times past, when men like Alexander the Great could rise out of relative obscurity to conquer half the world, these afflictions were surmountable by the all-but-divine will of a single man, but in this age of massive armies and technological warfare, there is little room remaining for individual geniuses to operate and affect both their futures and those of the nations to which they've sworn fealty. Still, some will try. And Fred Kaplan has, here, chronicled at length the most famous of these revolutionaries.

The son of a librarian and a sea captain, David Petraeus has lived a remarkable life. From 1974 until his retirement from military service in 2011, he served the US Army with distinction, holding numerous commands both domestically, in the training of special forces, and overseas, in hot wars in Afghanistan and Iraq. But though, by all reports, he was a relentlessly driven soldier with a legendary work ethic and capacity to endure punishment, he is best known for his defining role in championing the doctrine of Counterinsurgency, or COIN, which is credited with having helped to empower the Sunni Awakening of 2007 in Iraq which changed the fortunes of that doomed war dramatically, permitting the United States military to deal a devastating blow to Al-Qaeda and their allies. Though his application of COIN in Afghanistan would be less successful, it would do little to tarnish the reputation of this new, intellectually driven form of warfare.

Technology has forever changed our world and this is no more true than for the practice of war. Terrorism has empowered non-state actors, giving them the ability to stand up to much larger nations, at least for a time. Successfully eliminating these insurgent groups would require very different tactics than those nations have traditionally used. The holder of three degrees, David Petraeus believed so deeply in this consequential shift that he devoted his career to compelling the US Army to evolve, to be smaller, trimmer and smarter. After years in the wilderness, after having his reforms blocked by generals and defense secretaries uninterested in coloring outside the lines, he and several key allies both military and civilian, successfully agitated for a new approach to 21st-century warfare, one that relied upon cultivating the trust of leaders in the warzones in question and using those contacts to uproot the enemies hiding in their midst. And though ambition, along with a scandalous affair, would eventually doom his career, his disgrace would come long after he'd left his scholarly mark upon one of the world's most rigid institutions.

The Insurgents is a thorough, well-paced, and engrossing examination of the Counterinsurgency Doctrine and the men and women who fought for it in the face of stiff resistance from well-entrenched traditionalists eager to ignore the evolution of modern warfare. Mr. Kaplan, an author and journalist, uses David Petraeus' career as a focus, a touchstone from which he can cast a wide net that captures not only COIN and its impact on the United States' most recent wars, but the shambolic manner in which the US military is run. Given how infrequently the US military has been defeated, this would appear to be an absurd claim. And yet, this organization suffers from the kind of institutional rot present in all bloated organizations, a decay that results from the self-interested motivations of powerful individuals within the organization who, because they cannot be sure of their place in a changing environment, resist such change with all their might. One need only look at the manner in which the Iraq War was justified and then prosecuted to understand the shattering, real-world consequences of such stubbornness.

As much as the US military comes off poorly here, let it not be said that Mr. Kaplan is in the bag for David Petraeus and his famous doctrine. Quite the contrary. The author is clearly sceptical of the degree to which COIN influenced the outcome of the Iraq War. And he's wise to be. For it seems almost impossible to separate COIN's impact from the abject misery of local Iraqis who, having finally had enough of being victimized by thuggish Al-Qaeda, rebelled against them and, with the eager aid of the United States, crushed their operations. Given that the whole purpose of COIN is to give breathing space for good people to organize against the destructive elements inside their own societies, it is hard to argue that COIN was not a benefit in Iraq, but its fairly evident failure to improve the situation in Afghanistan is a serious blow to its credibility. COIN's defenders will argue that Afghanistan is a uniquely atomized country, one that simply cannot be fairly governed in the modern world and, given its miserable history, that may well be true, but this in no way helps COIN's case.

The Insurgents has its sketchy moments. It seems evident that this book had all-but-come to print when the story of Petraeus' affair broke, compelling Mr. Kaplan to pen a hasty and uninformative coda to his chronicle. Moreover, the author doesn't appear to have had any access to Petraeus himself which is somewhat problematic given the heavily biographical nature of the work. However, these are minor knitpicks in what is otherwise a balanced, rational account of two bad wars, the men who prosecuted them and the ideas that bubbled up to impact them.

An excellent primer on the new face of war... (4/5 Stars)

A profoundly disturbing look at a disintegrating American city in Detroit

From The Week of July 29th, 2013

Urban decay is a scourge on the modern world. The natural outgrowth of economic systems that discourage centralized planning, they are unsightly and unsafe. But for as much as abandoned blocks and decrepit buildings may offend our sense of aesthetics, the extent to which they degrade the spirits of those exposed to them, draining them of hope and passion, is their truest and profoundest sin. For this cancer, once rooted in the hearts and minds of people who feel as abandoned by society as their neighborhoods are of people, cannot easily be taken out. It must be bulldozed and paved over, in the hope that the new will make everyone forget the old. And yet, that damage is generational, ensuring that it will linger as long as there's anyone around to remember. This is a lesson taught with chilling effect by this mesmerizing volume from Charlie LeDuff.

Once a thriving hub of industry and wealth, Detroit, Michigan has reached rock bottom. Forty years of White Flight, corrupt politicians and automotive decline have reduced its population by half, made a sham of its city government and exposed its remaining citizens, 82 percent of whom are African American, to the kind of impoverished, urban decay more in line with the Third World than the First. This rot is most consequentially reflected in the city's emergency services which are slow, inadequate and profoundly underfunded, resulting in obscene waiting times for 911 calls that would trigger hearings in other cities. But it's most obviously represented in the city's vacancy rate which experts peg at somewhere between 25 and 40 percent, meaning that, at best, an entire quarter of Detroit has been completely abandoned by citizens looking for hope under other lights.

Charlie LeDuff knows this all too well. Having grown up in the midst of this long, devastating collapse, he moved away to pursue a career in journalism before Detroit's siren song called him home to a position at the Detroit News where he began to document the city's decomposition. From this post, he spent several years wading through government corruption and civic crime, all while ruminating on the ways in which Detroit devoured him and his family, claiming the life of his sister, the joy of his mother and the self-respect of his brother. These observations, alongside his own failings, leave little doubt of just how monumental Detroit's fall from grace has been.

Detroit is a shattering piece of gonzo journalism. Comprised of Mr. LeDuff's experiences while working at the Detroit News, its narrative is explosively propelled by the author's disgust with his and the city's failings which are entwined to wonderful and shocking effect. The reader is exposed to abandoned neighborhoods and decaying courthouses, beleaguered firemen and crooked judges, their collective stories weaving a tapestry of life in the heartland of American decline. One would naturally expect this to be a difficult and challenging experience, but such is Mr. LeDuff's skill, and such is the overpowering nature of his subject, that the reader is often left gobsmacked by the depths to which this poor place has sunk.

Though the personal nature of this account is its greatest virtue, compelling the rubbernecking reader to look past the atavistic excitement of a train wreck and to the real damage that's eventuated as a result of unchecked corruption and decay, its most memorable punches are saved for some of the local customs. Mr. LeDuff contends that Detroiters will buy cans of gasoline which they use to set vacant houses on fire, entertainment for the whole family for less than the cost of a movie ticket. Such anecdotes, which one expects to only find in dystopian novels, do more in one sentence than thousand-page reports to convey the unfathomable degree to which Detroiters have been altered by their environment. Gentrification and urban planning need no other advertisement than this.

Detroit is not without flaws. One senses that Mr. LeDuff enjoys a good story. And given the appalling disposition of his subject, it's easy to imagine that some of the details here have been exaggerated. For instance, every poignant episode seems to conveniently include an appropriately profound quote from one bystander or another. Perhaps the author is merely lucky to be have been in the right place at the right time, but the frequency of these lucky moments seems a bit too high for comfort. That said, this is also part of gonzo journalism's appeal, an intense subjectivity that draws us into the world at the expense of objective truth. So it's not as though exaggerations aren't expected.

A profound experience. It would be a hard heart that remained unmoved for the having of it. One of my best reads this year... (4/5 Stars)