Humans have a complex relationship with objects of their own creation. Built to express needs ranging from the pleasurable to the essential, their utility ought to be far more important than their beauty. After all, valuable resources must be gathered and precious time expended to manufacture them, making it foolhardy for form to trump function. And yet, a simple glance at the clothes and phones, the houses and the vehicles, present in our world tells us that the opposite is true, that beauty overpowers utility at every turn. Why this is so remains unclear. Certainly, peer pressure plays a role; humans signalling to their fellows that they have taste. No doubt aesthetics also has its say, precision of design pleasing our powerful sense of geometric rightness. But no sense of fashion, no matter how strong, should have the power to overcome an object's utility, a truth most thoroughly pummeled in Leander Kahney's fabulous biography of Apple Inc. Visionary designer.
Coming of age in England's Winter of Discontent, an era of political discord, economic stagnation and social upheaval, Jonathan Ive has become the world's foremost designer. Raised by a celebrated educator who challenged and encouraged him, he won awards for school projects in his teens, was a partner at a designed firm at 23, and, at 25, had moved to California to begin work at Apple during the lost years between Steve Jobs' controversial departure and his triumphant return. Since then, he has gone on to shape the industrial design of virtually all of Apple's successful products which, since the introduction of the first iPod in 2003, have revolutionized technology, transforming it from the quirky fascination of geeks and hobbyists into a hundred-billion-dollar industry that lives in the pockets, on the desks, and in the hands of consumers the world over.
Chronicling these two transformative decades, Jony Ive is a spellbinding journey through the life of a brilliant designer at a fabled company. Mr. Kahney, a long-time technology journalist, has largely overcome the legendary secrecy of Apple and its chief designer to construct a fairly thorough portrait of both company and visionary. After dispensing with Mr. Ive's early life, the author marches us through apple's string of celebrated products, from the iPod to the iPhone, vividly capturing not only their aesthetics, but the innovations of design and manufacturing that made them possible. Consequently, the reader becomes fairly fluent with the modern mysteries of manufacturing, processes so exquisitely intricate that they have brought about the age of mass-produced products of exactingly high standards.
But while Jony Ive opens the door on the nature of 21st-century manufacturing, it is, at root, the depiction of one man's talent and how that talent has re-shaped an industry. Steve Jobs has been rightfully hailed for his vision and his marketing prowess; no one else has had the will to turn computing into a high-end commodity capable of compelling a substantial percentage of the world's population to buy what are fundamentally expensive toys. But perhaps his wisest, and bravest, decision was to redesign his own company, elevating Jony Ive and his industrial-design team above the Apple engineers who would bring their products to life. This decision has understandably created tensions within the company, jealousies that have seen engineers leave for other firms like Google where engineering is both paramount and sacrosanct. But however many of these battles apple has lost, it has, over the last fifteen years, won the war. By recognizing Mr. Ive's singular abilities, and by giving him and his design team the keys to its princely kingdom, it has inaugurated an age of beautiful computing that no one else has come close to matching.
As much as Jony Ive succeeds in conveying the visionary nature of company and designer, it is necessarily limited by Apple's famously tight lips. Apple considers virtually everything that goes on within its walls a trade secret, refusing to divulge even trivial details about its processes or its people. This philosophy extends to its manufacturing partners as well, Asian corporations too afraid of losing Apple's business to speak out about their own innovations. This is a pity. For there is no doubt that this is a royal marriage of design and process, of form and function, one that has shaped the early years of our century. And to have the vital moments of that marriage obscured by a silence bordering on the petty is as sad as it is neurotic. Consequently, Mr. Kahney is forced to unearth the broken pieces of a complex whole, doing what he can to fit the pieces together in hopes of getting some sense of the bigger picture. That he succeeds at all is a credit to his diligence.
For anyone interested in the intricacies of industrial design and the almost magical powers of modern manufacturing, an absolute must read. Jony Ive leaves no doubt that we live on the brink of a fascinating future, a future substantially stewarded by a soft-spoken Englishman with a rare gift. (5/5 Stars)
No comments:
Post a Comment